Sezione

Critica

Tipo di risorsa

libro

Titolo

Image, Eye and Art in Calvino. Writing Visibility

Curatore

Grundtvig, Birgitte; McLaughlin, Martin; Waage Petersen, Lene

Luogo di pubblicazione

London [Londra]

Editore

Modern Humanities Research Association

Data di pubblicazione

2007

Pagine

305

ISBN

978-1-904350-59-0

Lingua

inglese

Paese di pubblicazione

Regno Unito

Spogli (23 schede)

• Calvino, Esther Singer, Le Square, pp. 1-2
  
• Grundtvig, Birgitte; McLaughlin, Martin; Waage Petersen, Lene, Introduction, pp. 3-10
  
• Belpoliti, Marco, Calvino's Colours, pp. 12-25
  
• McLaughlin, Martin, Colours, Landscapes and the Senses in Difficult Loves, pp. 26-47
  
• Hagen, Margarethe, The Visual in Cosmicomics: Myth and Classical Rhetoric, pp. 48-59
  
• Porro, Mario, Images and Scientific Knowledge in Calvino, pp. 60-75
  
• Jansen, Hanne, Recreating Visibility in Literary Translation: How to Code Space in Italian and Danish, pp. 76-88
  
• Waage Petersen, Lene, The Significance of Visibility: Interpreting the Image in Calvino, pp. 89-105
  
• Hofstadter, Douglas, Innanzi Tutto, Aprire Leggermente, Ovvero... Contemplations About Language: Verbosities, Infelicities, Nonsensicalities, Oddities, pp. 108-121
  
• Bartezzaghi, Stefano, Calvino at Play: Rules and Games for Writing in Space, pp. 122-140
  
• Calvo Montoro, María José, The Dizzying Gaze: Calvino's Thesis, the First Novel, and Conrad as a Model of Visibilit, pp. 141-151
  
• Scarpa, Domenico, 'From the Vantage Point of Hindsight': Viewing Calvino's Landscape, pp. 152-170
  
• Grundtvig, Birgitte, Leaning from the Steep Slope..: The Fal of the Cartographic Eye in Calvino's Late Works, pp. 171-184
  
• Skov, Martin; Stjernfelt, Frederik, Paulson, Olaf B., Language and the Brain's 'Mental Cinema', pp. 185-200
  
• Barenghi, Mario, From Picasso to Dürer: Calvino's Book Covers, pp. 202-210
  
• Battistini, Andrea, Italo Calvino and the Fantastic Iconology of Cartoons, pp. 212-229
  
• Musarra-Schrøder, Ulla, The Photographic Image: Calvino 'in Dialogue' with Barthes, Sontag, and Baudrillard, pp. 230-243
  
• Fryd, Annette, Ekphrasis: The Problem of Representing Visual Art in the Works of Italo Calvino and Per Hojholt, pp. 244-252
  
• Lund, Hans, Signs and Visuality in Italo Calvino's Narratives, pp. 253-259
  
• Ricci, Franco, Calvino and Klee: Variations of Line, pp. 260-270
  
• Calvino, Italo, The Painter of Absence, pp. 278-284
  
• Calvino, Italo, The Arrow in the Mind: A Review of 'The Mechanism of Meaning', pp. 285-288
  
• Heltoft, Ulrik, Calvino's Flat in Rome: An Imagined Space, pp. 289-298